Ok, so part of my last post may not have been appropriate
for seminar or for my/our project. I’m
thinking about what I posted on Facebook about stepping in dog shit and trying
to maintain an aesthetic attitude. I made the post without thinking much about
it; it was a flash act. And, arguably, I
failed because I was pretty pissed. I had woken up and tried to focus on some
kind of attunement within myself. I
thought about feelings in my body, specifically if I could feel thoughts in
certain body parts. And, from
Wednesday’s seminar meeting, I thought about what my state of mind is:
thankful-frustrated. I guess the latter
dimension may have been emphasized last Friday.
And after I wrote that post on my Facebook wall, I kind of
laughed and was no longer angry. And
then, I thought about how stupid and trivial such bullshit (or should I say
dogshit) could get to me. How much shit do others have to go through daily? Poverty,
exploitation, et al.
But, I would like to think about the David Lynch interview
because I think many of the ideas might connect to our seminar. Lynch suggests that “everybody has had this
thrill of taking a photo and when they get it back or analyze, it’s so
different than what was in front of them and it’s so thrilling when it’s
captured and they can see it. It’s a
very, very special medium [photography], very beautiful, and infinitely
deep.” He suggests that his “photobook
is not an intellectual process, but if anything, an intuitive process, based on
something in me.” In taking the photos
and selecting the photos, Lynch experiences affect. And furthermore, when we view a photograph (or painting or film), Lynch
posits that a “beautiful storm comes over us, a thrilling beautiful storm, deep
love and flow of excitement in the brain.
We are all receiving this feeling I think of love.” The video also shows some of Lynch’s photos
from his book, as well as Lynch’s commentary on what he is attracted to: “organic
phenomena, flesh, the way light plays.”
He even comments on sores (the photo of a foot with sores appears).
The interview concludes with Lynch discussing when he
encountered a carving of Buddha in the LA museum. This is the last photo in his book and he
explains that as he looked at the head of Buddha, he experienced a shot of
white light and he was filled with bliss.
Lynch doesn’t elaborate on what this means nor does he identify it as an
epiphany or revelation. But what exactly
happened at that moment? Was that a kind
of photographic epiphany? Lynch went to the museum, knowing that he was going
to have an aesthetic experience. He then
finds himself in a corridor and notices the head of carving of Buddha, and boom:
he’s hit with the white light and feeling…. and take his picture.
Now, I see Lynch’s experience as similar to what I’m
supposed to do. Not necessarily in a museum, but within Alachua County:
construct and notice our epiphany and take a picture.
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